SATURATION EQ: Punching Up That One Color

Featured: Jonathan Moser Blog Series

You have a surreal scene-and for mood, you want to bring out the blue of the dress your star is wearing while diminishing the other colors in the scene…but a color corrector can’t really give you the control (or the speed) you’re looking for without time-eating tweaking.

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COLOR REPLACE: Paint it Black…or Yellow or Red or…

Featured: Color Correction

Your producer just came into the bay in a snit: the car commercial you’re doing this morning has a glitch…the car that was shot is not the new color scheme your ad is supposed to be hyping, and the commercial is due yesterday. You don’t have a budget for a colorist…you’re on your own.

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QUICK PIXELATOR: Tracking Magic!

Featured: Jonathan Moser Blog Series

You’re editing a crime show and suddenly a call from your producer: an interview subject has just gotten cold feet and wants to have their identity obscured. You could start the tedious manual keyframe blur tracking process, but that will take a while.

The clock is ticking…

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VIDEO TUNEUP PLUS: Scoping Out The Color!

Featured: Jonathan Moser Blog Series

You have video from a dozen different sources that are all over the place, and need a speedy luma and/or chroma adjustment along with dependable waveform analysis. (While we know Media Composer has scopes in the color corrector, keeping the color corrector open just to monitor video levels isn’t practical or efficient.) You need to speed check through your timeline and quickly make basic adjustments.

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PICTURE GRID: Splits In A Split Second

Featured: Compositing

You have to quickly build a split screen…could be 2, 3 or any number of splits, and you’ve lost your templates. Though it’s fairly easy to layer, crop and reposition, it’s still a major headache and time-waster…

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Color Correction and How ColorFast 2 Can Help

Featured: Color Correction

It’s widely known that marketers use color psychology in their advertising efforts to evoke emotions, influence buyer behavior, and increase sales. But why does this matter for video editing?

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Drone Video Reaches New Cinematic Heights with TotalFX 5

Featured: Quick Fixes

Today’s cinematic drones are capable of some fantastic footage and allow even smaller budget projects to get the same shots you once needed to hire a helicopter to get. Good as it often is, drone footage often needs significant post-production work to bring it up to the desired level of impact, and that’s where NewBlueFX’s TotalFX suite of video effects and tools can be a real time saver.

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Elevate Your Drone Footage with TotalFX 5

Introducing Titler Live 4

Featured: News

On July 25th, 2018 NewBlue released a new version of Titler Live, our cutting-edge software solution for live streaming and broadcast professionals. NewBlue Titler Live 4 delivers the next generation of on-air graphics for any broadcaster. Instantly enhance your production value with more robust, intuitive and affordable on-air graphics solutions for live events, new media shows,

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Titler Live 4

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