Lackluster camerawork and weather problems has taken the life out of your b-roll in an otherwise lively production. These are the shots that set the whole mood. You need to amp it up and create a feeling.

You have a surreal scene-and for mood, you want to bring out the blue of the dress your star is wearing while diminishing the other colors in the scene…but a color corrector can’t really give you the control (or the speed) you’re looking for without time-eating tweaking.

You have video from a dozen different sources that are all over the place, and need a speedy luma and/or chroma adjustment along with dependable waveform analysis. (While we know Media Composer has scopes in the color corrector, keeping the color corrector open just to monitor video levels isn’t practical or efficient.) You need to speed check through your timeline and quickly make basic adjustments.