Part 16 of 24 SELECTIVE FOCUS & TILT SHIFT: A Change in Perspective! Powerful Tools For Forcing Focus Wide Range of Edge Softness Introduce Popular Tilt-Shift and Variable Focusing to Make Your Shots Pop Problem: You have a wide shot that presents a problem…it’s a freeway where the main action happens at the
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With the 2020 primaries just months away, many broadcasters are looking for ways to keep their audiences engaged and up-to-date on election nights. The team at Buzzfeed’s daily news show, AM to DM, knows that one of the most important elements in election night success is high end, eye-catching graphics that can be dynamically updated
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Part 15 of 24 COLOR FAST 2: Painting a Pretty Picture…and Secondary Color Correction Too! World Class Color Correction and Grading With Lots of Tweakability Secondary Color Correction and Great Auto White Balance Problem: You have very unevenly-shot material with white balance problems. Not only are you being expected to fix these problems,
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*This article first appeared in SVN Sports Broadcasting. Written by Tom White. Imagine having a library where you can go into any book you want, change the story, characters or anything else you want. That’s what you have with NewBlue FX Titler Live 4. We are gearing up for our first football game this Friday
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Part 14 of 24 Lens Correction: Go Pro A-Go-Go Pincushion/Barrel Distortion Correction or Creation Problem: You have a ton of highly distorted shots that have pincushion and barrel distortion that have to be corrected quickly. And in another case, you have normal shots of a baby’s face coming towards the camera and the
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You’re tasked to make this $500.00 student video shoot look like a million dollar film production with a 25 cent post budget…what to do, what to do???
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Part 13 of 24 Aspect Ratio: One Filter To Rule Them All Instant Film/Still Formatting Mask Many Formats To Choose From Problem: You’re editing a film with a lot of found footage. Some are 16mm films, even 8mm while others are still camera…and to top it off you have to mask anamorphically in
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Part 12 of 24 Frame Rate: Dreaming Up That Dream Sequence Hallucinatory Time-Altering Effects Are Yours At Light Speed Problem: You’re editing a dream sequence and need to come up with a visually arresting but quick solution that isn’t too crazy, plus the main character is drunk and you have to create something
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You have a very stylized show and your producer is stuck on having to use light leaks in the production (just like everyone else is doing) but is undecided on how they should look and wants to be able to change things like speed, color and texture as his whims dictate or the mood calls for. You hmm and haw and move around nervously and then…
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Your show has a ton of shots needing to look like surveillance footage, CCTV or targeting cameras. Previously you either had to find and import a preexisting grid overlay, or create your own screen elements such as record lights, elapsed time counter or day/date readouts…in addition to battery power level, or you have to create the overlay in After Effects and reimport into your editor…only problem is: You don’t have After Effects. What are you going to do now?
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