You have a surreal scene-and for mood, you want to bring out the blue of the dress your star is wearing while diminishing the other colors in the scene…but a color corrector can’t really give you the control (or the speed) you’re looking for without time-eating tweaking.
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Your producer just came into the bay in a snit: the car commercial you’re doing this morning has a glitch…the car that was shot is not the new color scheme your ad is supposed to be hyping, and the commercial is due yesterday. You don’t have a budget for a colorist…you’re on your own.
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You’re editing a crime show and suddenly a call from your producer: an interview subject has just gotten cold feet and wants to have their identity obscured. You could start the tedious manual keyframe blur tracking process, but that will take a while.
The clock is ticking…
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You have to quickly build a split screen…could be 2, 3 or any number of splits, and you’ve lost your templates. Though it’s fairly easy to layer, crop and reposition, it’s still a major headache and time-waster…
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In this blog series, 6-time Emmy winning editor Jonathan Moser reviews NewBlue’s arsenal of top problem solvers to save you time, money and the headaches of common post production problems… Part 1 of 24 Introduction Over the years, the demand on offline and finishing editors has risen exponentially—giving us a lot of stress and
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It’s widely known that marketers use color psychology in their advertising efforts to evoke emotions, influence buyer behavior, and increase sales. But why does this matter for video editing?
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With Titler Live Broadcast, the AM to DM team can leverage flexible design, edit and playout solutions to keep up with the fast pace and unpredictability of social media-centric news environments.
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Today’s cinematic drones are capable of some fantastic footage and allow even smaller budget projects to get the same shots you once needed to hire a helicopter to get. Good as it often is, drone footage often needs significant post-production work to bring it up to the desired level of impact, and that’s where NewBlueFX’s TotalFX suite of video effects and tools can be a real time saver.
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On July 25th, 2018 NewBlue released a new version of Titler Live, our cutting-edge software solution for live streaming and broadcast professionals. NewBlue Titler Live 4 delivers the next generation of on-air graphics for any broadcaster. Instantly enhance your production value with more robust, intuitive and affordable on-air graphics solutions for live events, new media shows,
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Earlier this year, AVID surprised the market with a totally free version of Media Composer, called Media Composer First. For Media Composer newbies, it’s a great introduction to the Media Composer workflow. What many people don’t know, is that along with Media Composer First, NewBlue has generously provided 17 of our very best effects we
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