You’re editing a crime show and suddenly a call from your producer: an interview subject has just gotten cold feet and wants to have their identity obscured. You could start the tedious manual keyframe blur tracking process, but that will take a while.
The clock is ticking…
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You have to quickly build a split screen…could be 2, 3 or any number of splits, and you’ve lost your templates. Though it’s fairly easy to layer, crop and reposition, it’s still a major headache and time-waster…
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In this blog series, 6-time Emmy winning editor Jonathan Moser reviews NewBlue’s arsenal of top problem solvers to save you time, money and the headaches of common post production problems… Part 1 of 24 Introduction Over the years, the demand on offline and finishing editors has risen exponentially—giving us a lot of stress and
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